Showing posts with label dystopian. Show all posts
Showing posts with label dystopian. Show all posts

Thursday, 13 February 2014

Young Adult Book Review – The Fearless – Emma Pass

Young Adult Book Review – The Fearless – Emma Pass

Recommended for – Young Adults/Adults


With huge thanks to Random House UK for the advanced copy

There are three books this year that I’m head over heels excited about. One of them is The Tournament by Matthew Reilly (it’s arrived in the library! Huzzah!) and one of them is Heir of Fire by Sarah J Maas (book three of the Throne of Glass series). The third was The Fearless by Emma Pass, and I’ve had the absolute delight and privilege to get hold of a copy and read it a few months before it’s officially out. Bless those with the power to do such a thing, because it’s another absolute corker.

The Fearless revolves around the breakdown of society in the UK and the rest of the world, as soldiers injected with the Fearless serum, designed to eliminate fear and increase their strength and healing ability, become dependent on a weaponised strain. They turn into aggressive nutcases with super strength and silver eyes, determined to turn everyone else like them.

We begin our story with 10 year old Cass and her friend Sol at the time the first wave of invasion begins, with them fleeing to the Isle of Mann and a new colony called Hope, along with Sol’s father. Seven years later, the kidnapping of Cass’s younger brother Jori leads her to mainland Britain in an attempt to rescue him, where she’ll join with a young Scot, Myo, and his own group of survivors. That’s as far as I’ll go with the plot for fear of spoiling too much…

I love that we’ve got a strong YA writer using dystopian Britain as a backdrop, especially when it’s writing about local areas that I recognise. In this day and age, the plot is one that certainly touches on the realms of reality. Doubtless there are military experiments out there trying to do virtually the same thing as we speak (I’ve watched a lot of films and they’re all based in fact, right?). It’s a different type of dystopian feel to ACID, which is good, because it means there isn’t any re-treading of previous steps, and shows Emma’s breadth of writing ability. She’s got a damn fine imagination, and a damn fine way of making me skip back a few lines just to make sure I read her correctly, such are the OMG moments that regularly crop up.

There are three characters whose points of view we see from. I liked Cass. She’s a different type of heroine to Jenna from ACID, not so much of a ‘kick-ass’ type, though she’s making strides towards it by the end. She’s ten years old when the Fearless first invade, and she’s gone down the path of being a helper to others, particularly her younger brother, rather than the hardened soul that her friend Sol becomes. Sol has a much more tragic arc, clearly coping worse with everything that has happened to them than Cass, and the culmination of his story in The Fearless is an absolutely jaw-dropping moment. It’s absolutely shocking, showing the depths to which his mental state have plunged. He embraces the chance to seek revenge on others through harsh means, far from Cass’s on more peaceful views, and to see this from someone who was clearly a fun-loving ten year old is devastating. The other main character, Myo, is much more likeable, though you can tell he and his group are hiding a big secret early on, and that it’s going to cause ruptures with Cass later. The other supporting cast is full of interesting characters, from Cass’s younger brother Jori to the helpful nurse Nadine.

There’s tragedy right from the very beginning, the type of which needs to be present in a dystopian thriller to really hammer home just how terrible life has become. Some of these tragedies are revisited later on and are heart-breaking. Emma doesn’t pull any punches, and at times I feel as if she’s virtually scanning my brain for my greatest apocalyptic fears and writing them on paper just to see what my reaction will be. As mentioned above, the demise of one character towards the end is shocking, and shows just how deeply the madness of the situation these children have found themselves in has affected them.

There are plenty of moral issues to ponder. Again, I don’t want to spoil too much, but there are issues about whether to shield people from the truth, whether to keep dangerous loved ones around, whether it’s more humane to kill someone than strip them of their humanity...I like a book that gets me thinking a bit, in between all the action. And this really is a book filled with action. Right from the very beginning, the plot explodes around Cass and Sol, and it never feels like it really lets up, which is what makes it so compelling and unputdownable. Of course, they aren’t sprinting around running from Fearless the entire time; there’s plenty of character and plot building where the characters are sat around the lunch table etc., but it feels like the plot constantly moves at a frantic pace, yet remaining very easy to follow.

I have to give a shout out for the greatest re-naming of a ‘beloved’ shopping centre that has ever, and will ever, been written. For those of you familiar with Meadowhall in Sheffield, you won’t stop smiling as soon as you realise the joke. At least, I think that was the joke, right?! I always worry with these things that I’ve interpreted them wrongly!

When I find a book that I love like this, it’s very hard for me to find faults. I found a fairly generic bad guy in ACID, and here I suppose you could argue that some of the themes aren’t anything groundbreaking. When you learn the truth about Myo’s group, for example, I’d guessed it a while back. It’s not hard to guess which of the boys Cass is going to fall for, either. In that respect, you could say that it’s not re-writing the dystopian wheel. In all honesty, though, when it does all of these things so well and makes it so compelling, does any of that really matter? I’ve seen people slating Dan Brown’s Inferno, completely unfairly in my mind – yes, it’s basically just another Dan Brown novel, but you know what you’re getting with it, which is a fast paced adventure with plenty of twists that is a lot of fun to read. The Fearless is a really fun, exciting and compelling Young Adult dystopian thriller that makes me want to read it all in one go without stopping. What more could I ask for in that respect? Okay, one minor quibble – it has the extra bits between chapters that ACID had, such as maps and documents, but I want more! I’d have love to have had more news reports etc. showing what happened in the seven years between ten year old Cass and seventeen year old Cass, but then again once you’ve read the story you’ll realise why that might actually not have been possible, due to various plot points. I shouldn’t moan too much really, it seems like such a minor point.

Has The Fearless lived up to its billing as one of my three most anticipated books of the year? Damn right it has. As soon as it’s out in the library, I’ll be pushing it on people like I still am with ACID. It falls just short of a perfect score because it doesn’t quite sit on a level with ACID, which is the pinnacle of YA dystopian thrillers for me. It is, however, absolutely brilliant, and had it not been for a combination of parenting, work, losing my iPad and a part-time university degree, I could easily have finished it in glorious day of reading. I’ve not read a virus-esque dystopian thriller this good, ever.


9.5/10

Wednesday, 6 February 2013

Teenage Book - ACID - Emma Pass (Author)



Teenage Book - ACID - Emma Pass (Author)


Recommended for: Teenagers/Adults

Genre: Dystopian/Thriller



I need to make a small confession before I begin this review. Emma is a colleague of mine (from a different library, but a colleague nonetheless), and so even before reading ACID I knew that I was going to be slightly biased towards it. Now, when it comes to books, once you've discovered an author that you love, you're undoubtedly going to be biased towards anything else they write anyway, so think of me as just having skipped the need to become a fan through reading one of her previously published books (which I couldn't be, as this is her debut novel). But at the end of the day, I know that I would have felt the same as I do whether Emma was a colleague or not, because in a word, ACID is brilliant.

BRILLiant.

Not since first reading The Hunger Games have I chosen to sit down with a book in my spare time instead of browsing the internet or playing a computer game, except during lunch breaks at work and when I'm reading to my son. They coined the term 'page-turner' specifically for books like this. And they invented pillar box red hair dye just so they could give it to kick-ass heroines like Jenna.

I'm a big fan of Dystopian fiction. I've always wondered why people are so taken with stories about how life as we know it has either ended or become so harsh to live with, and I suppose it's because we like to think that no matter how hard times get, we'll still struggle on and survive.

In this particular Dystopian future, ACID is the name of a corrupt and all-powerful police force, ruling over the Independent Republic of Britain. Set in 2113, there's a good dose of futuristic technology, such as 'KOMM' ear pieces which function like personal data machines (imagine phones and the internet in your ear, and I think you're on the right lines), and 'lightfiti' instead of graffiti. Comparisons between ACID and Big Brother are obvious, with people being required to watch the ACID-controlled news reports for several hours a day, and personal ID cards being required for most things. Most of this may not be new, but then what hasn't been thought up before at this point? What's important is that it's done perfectly to enhance the world we see, and this world is clearly one that George Orwell had in mind all those years ago.

Our heroine, Jenna, starts the book in prison for the murder of her parents. She's broken out early on, but exactly why is kept secret from her. With a change of identity she tries to begin anew, but she just can't stay out of trouble, and a chance encounter with the son of one of her rescuers leads her on a whole new path of danger. To say any more would spoil too much of the story, but needless to say it rattles along at a frantic pace, and every time you think there's going to be a lull, the next bit of excitement and drama is just around the corner. There's a couple of parts of the book that could almost be considered reboots within themselves, and it's to the author's credit that not once do these lose focus, or leave you confused as to what's going on. There's even a major scene in a library. Seriously, what more could you want?!

I always find it strange when people will ignore a book just because it's on the teenage shelf. Now, I'm fairly certain there's a whole blog article to write about this somewhere down the line, but basically it's to your own detriment that you write off a teenage book. Whilst there are some teenage books that are all about shopping, talking about boys, or clearly written only with those just turning 13 in mind, essentially a teenage book (particularly for older teens) is just an adult book with a little less swearing (usually), a little less 'rudity' (have I made up a word there?), and a teenager as the protagonist. By no means do teenage books necessarily shy away from difficult subjects, or talking about things in great detail. There are at least two topics in this book that are definitely more 'adult' in theme - not because they're about relationships or sex, but because they're about human rights and the lengths people will go to for their cause. And this is exactly right - teenagers should not be hidden away from difficult topics just because they're under 18 (although undoubtedly parents should use caution with how exactly they are exposed to them). How else are they going to learn to discuss these topics, and formulate their own moral views? This may be written from a teenage point of view, but it's a teenager who is living in an adult world, and who isn't going to have an easy time.

Jenna herself is everything you want from a heroine. She's hard as nails, she's got a fiery personality, and she's got bright red hair (every character is better with bright red hair). She's understandably frustrated with the situation she's in, and the steps that lead her there, but she's also committed to getting justice for the way things have turned out. When she meets up with Max, son of one of her rescuers, the relationship she forges with him is strong enough to spur her on to risk her life in saving his, and it's hard not to root for someone like that really, is it? When you come out of a book wishing that you new the heroine in real life, you know they're someone a bit special. Elsewhere, there are a couple of evil villains lurking around, who play their roles well, even if the Big Bad is perhaps more of a stereotypical evil General than one who's going to make a list of the greatest villains in fictional history (blimey, did I just level a criticism at this book?! Well, it's not a major one - the guy does his job as he's meant to, but he's nothing new). There's another bad guy who I won't say too much about for fear of spoiling a potential twist, but let's just say what he plans to do is deplorable, yet you can see the reasoning behind his actions. He's a far more intriguing character, as he raises some of the moral issues that I mentioned earlier. There's a very similar argument in this area that takes place in the re-imagined Battlestar Galactica, although ACID stops just short of going to quite the extremes that Battlestar took it. Nevertheless, to me, this is the more evil of the two villains.

But what really sets this book out from the crowd, and what earns it that extra bit of merit that pushes it to brilliance, is the little extras that the author puts in. Just like a viral marketing campaign for a television series or film nowadays (see Lost or The Dark Knight for the best examples), there are extra tidbits of information dotted in between chapters that flesh out the story, such as news reports on Jenna as they would appear to the regular citizen, or transcripts of communication between ACID agents that let us in on secrets that Jenna doesn't know. It makes for such a delight to read, and pulls you more than ever into the world itself, that it's going to be disappointing in every book I read from now on that doesn't feature extras like this. To me, that's what helps push Matthew Reilly to the top of the pile when it comes to Action/Adventure writers, and if Emma doesn't get extra recognition for the enhancements they make to her story, then...well, people are stupid.

I mentioned The Hunger Games before. That was the last book to really excite me. It took a plot (children forced to kill each other) and genre (Dystopian) that had been done before, but did it in such a brilliant way that I didn't care if some of it was familiar. And that's what ACID does - we've seen corrupt governments who spy on you and can track your every move, and the kick-ass heroines who oppose them before, but it's such an entertaining and gripping ride that I just want more. I've read similar stories before and seen them focus more on the boy and girl falling in love than the world around them, which to me is always the most interesting part - there's some romance here but it's secondary to the action, and it remains a story about a girl helping to bring down a corrupt government and ensure justice, not about a girl who falls in love whilst doing so. That makes sense, right? Our heroine falls in love, but she kicks-ass primarily. And she has bright red hair. Perfect.

In a nutshell, ACID did several things for me. It gave me a book that I couldn't wait to pick up again every time I had to put it down. It gave me a new heroine to cheer for. It made me want to focus on writing a novel more than ever (and groan that several ideas I've had have already been written in a much better way than I ever could!). And, most importantly, it made me want to tell everyone I know about it, and demand that they read it themselves. I am going to be pushing this book for a VERY long time. I LOVED it.

10/10